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	<title>Murray Woodman &#187; flickr</title>
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		<title>How to take a good photo</title>
		<link>http://murraywoodman.com/29/how-to-take-a-good-photo?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-to-take-a-good-photo</link>
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		<pubDate>Tue, 22 Nov 2005 08:12:00 +0000</pubDate>
		<dc:creator>Murray Woodman</dc:creator>
				<category><![CDATA[Know Idea]]></category>
		<category><![CDATA[flickr]]></category>
		<category><![CDATA[photography]]></category>

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		<description><![CDATA[Here are a few ideas I picked up from browsing images in Flickr. I just went for a bit of a hunt through the interesting images until I found a good image and then documented the arresting feature. What I ended up with was a list of hints to try to remember next time I&#8217;m [...]]]></description>
			<content:encoded><![CDATA[<p>Here are a few ideas I picked up from browsing images in Flickr. I just went for a bit of a hunt through the interesting images until I found a good image and then documented the arresting feature. What I ended up with was a list of hints to try to remember next time I&#8217;m out and about taking photos.</p>
<p>If you have any photographic techniques then I would love to hear about them in the comments.</p>
<p><span id="more-29"></span></p>
<p><strong>Shoot relection in water</strong><br />
Get the focus right. Don&#8217;t just mirror images &#8211; make the single subject the focus.</p>
<p><a href="http://www.flickr.com/photos/tjt195/12127930/"><img src="http://farm1.static.flickr.com/9/12127930_e45367864b_s.jpg" alt="" /></a><a href="http://www.flickr.com/photos/ciro/1758435/"><img src="http://farm1.static.flickr.com/2/1758435_cf23070df0_s.jpg" alt="" /></a></p>
<p><strong>Shoot through water</strong><br />
Make sure there&#8217;s no reflection.<br />
<a href="http://www.flickr.com/photos/djs1021/29143860/">http://www.flickr.com/photos/djs1021/29143860/</a></p>
<p><strong>Self referential</strong><br />
Take a photo, print, return to the scene and take a photo of the photo. Interesting but a bit cheap unless relevant.<br />
<a href="http://www.flickr.com/photos/raul/41476707/">http://www.flickr.com/photos/raul/41476707/</a><br />
<a href="http://www.flickr.com/photos/95111447@N00/40238228/">http://www.flickr.com/photos/95111447@N00/40238228/</a></p>
<p><strong>BW for portraits</strong><br />
Grain and starkness add gravitas to subjects<br />
<a href="http://www.flickr.com/photos/eddielaw/49919568/">http://www.flickr.com/photos/eddielaw/49919568/</a><br />
<a href="http://www.flickr.com/photos/stillpicture/39463802/">http://www.flickr.com/photos/stillpicture/39463802/</a><br />
<a href="http://www.flickr.com/photos/babsi/42389067/">http://www.flickr.com/photos/babsi/42389067/</a><br />
<a href="http://www.flickr.com/photos/cariephoto/show/">http://www.flickr.com/photos/cariephoto/show/</a></p>
<p><strong>Night shots enhanced by lingering sunset</strong><br />
Adds colour and drama to the image<br />
<a href="http://www.flickr.com/photos/wilfjames/822205/">http://www.flickr.com/photos/wilfjames/822205/</a></p>
<p><strong>Close ups of chaos makes viewer doubletake</strong><br />
The viewer spends longer processing the image leading to more rewarding consumption<br />
<a href="http://www.flickr.com/photos/yeahboone/28365913/">http://www.flickr.com/photos/yeahboone/28365913/</a><br />
<a href="http://www.flickr.com/photos/wolffman17/16998094/">http://www.flickr.com/photos/wolffman17/16998094/</a></p>
<p><strong>Fame and action are enough</strong><br />
Good subjects always work. See paparazi and sports photographers. The subject matter speaks for itself.<br />
<a href="http://www.flickr.com/photos/froodmat/51128168/">http://www.flickr.com/photos/froodmat/51128168/</a><br />
<a href="http://www.flickr.com/photos/whatevernevermind/22981532/">http://www.flickr.com/photos/whatevernevermind/22981532/</a><br />
<a href="http://www.flickr.com/photos/pixelydixel/6321340/">http://www.flickr.com/photos/pixelydixel/6321340/</a></p>
<p><strong>A new perspective</strong><br />
Put the lense where the eye can&#8217;t go: high, low, big, small.<br />
<a href="http://www.flickr.com/photos/lenny_meriel/20297074/">http://www.flickr.com/photos/lenny_meriel/20297074/</a><br />
<a href="http://www.flickr.com/photos/vision_aerie/3245770/">http://www.flickr.com/photos/vision_aerie/3245770/</a><br />
<a href="http://www.flickr.com/photos/samuelyung/37945030/">http://www.flickr.com/photos/samuelyung/37945030/</a></p>
<p><strong>Camera is faster than the eye</strong><br />
It can reveal things we never see with the naked eye. Run of the mill, point and shoot, photos are generally too slow.<br />
<a href="http://www.flickr.com/photos/borghetti/6596202/">http://www.flickr.com/photos/borghetti/6596202/</a></p>
<p><strong>Photographers photo</strong><br />
Photographers have their own tricks whci add a sense of unreality to an image and takes it out of the everyday: play with light, backlit, noir, infra red.<br />
<a href="http://www.flickr.com/photos&lt;/a&gt;rtofgold/32012683/">http://www.flickr.com/photos</a>rtofgold/32012683/<br />
<a href="http://www.flickr.com/photos/theorem/23719776/">http://www.flickr.com/photos/theorem/23719776/</a><br />
<a href="http://www.flickr.com/photos/bhikku/17602694/">http://www.flickr.com/photos/bhikku/17602694/</a><br />
<a href="http://www.flickr.com/photos&lt;/a&gt;ckley/2942132/">http://www.flickr.com/photos</a>ckley/2942132/</p>
<p><strong>Beauty in abstract</strong><br />
Abstract shapes sparate the image from photography and reach to other ideas. Also good for contrasting the natural and mechanical.<br />
<a href="http://www.flickr.com/photos/bryan/25652552/">http://www.flickr.com/photos/bryan/25652552/</a><br />
<a href="http://www.flickr.com/photos/clearlyambiguous/19985476/">http://www.flickr.com/photos/clearlyambiguous/19985476/</a></p>
<p><strong>Photo as canvas</strong><br />
Crops on street art elevate the art to a canvas once the grime of the street is removed.<br />
<a href="http://www.flickr.com/photos/dispositive/23114600/">http://www.flickr.com/photos/dispositive/23114600/</a></p>
<p><strong>Juxtapose for comic effect</strong><br />
Jokes are unexpected truth, so too with photos. Works well for portraits. Gets you another look in at the subject.<br />
<a href="http://www.flickr.com/photos/henk/796710/">http://www.flickr.com/photos/henk/796710/</a><br />
<a href="http://www.flickr.com/photos/janv/13816599/">http://www.flickr.com/photos/janv/13816599/</a><br />
<a href="http://www.flickr.com/photos/betina/13993717/">http://www.flickr.com/photos/betina/13993717/</a></p>
<p><strong>Contrast for interest</strong><br />
Contrating subject matter makes us think.<br />
<a href="http://www.flickr.com/photos/whileseated/50636340/">http://www.flickr.com/photos/whileseated/50636340/</a><br />
<a href="http://www.flickr.com/photos/twmlabs/41482884/">http://www.flickr.com/photos/twmlabs/41482884/</a></p>
<p><strong>Focus draws attention to an idea</strong><br />
A non descript photo gains strength by telling a story by emphasising certain elements through focus/blurring.</p>
<p><strong>Colour stands out</strong><br />
Look for blocks, gradations and contrasts.<br />
<a href="http://www.flickr.com/photos/mylakent/63475757/">http://www.flickr.com/photos/mylakent/63475757/</a><br />
<a href="http://www.flickr.com/photos/marct/32766382/">http://www.flickr.com/photos/marct/32766382/</a><br />
<a href="http://www.flickr.com/photos/34379736@N00/64086472/">http://www.flickr.com/photos/34379736@N00/64086472/</a><br />
<a href="http://www.flickr.com/photos/chun/9887123/">http://www.flickr.com/photos/chun/9887123/</a></p>
<p><strong>Form can be interesting too</strong><br />
Probably doesn&#8217;t have as much punch as colour.<br />
<a href="http://www.flickr.com/photos/k/4505471/">http://www.flickr.com/photos/k/4505471/</a><br />
<a href="http://www.flickr.com/photos/51035555243@N01/34337425/">http://www.flickr.com/photos/51035555243@N01/34337425/</a><br />
<a href="http://www.flickr.com/photos/esthet/3753156/">http://www.flickr.com/photos/esthet/3753156/</a><br />
<a href="http://www.flickr.com/photos/cariephoto/2433627/">http://www.flickr.com/photos/cariephoto/2433627/</a></p>
<p><strong>Texture is cool as well</strong><br />
Even more subtle<a href="http://www.flickr.com/photos/special/3912163/">http://www.flickr.com/photos/special/3912163/</a><br />
<a href="http://www.flickr.com/photos/pictobox/4747479/">http://www.flickr.com/photos/pictobox/4747479/</a><br />
<a href="http://www.flickr.com/photos/bingolittle/4302278/">http://www.flickr.com/photos/bingolittle/4302278/</a></p>
<p><strong>Less is more</strong><br />
Photos can trigger a creative process like a book. It doesn&#8217;t all have to be spelt out.<br />
<a href="http://www.flickr.com/photos/emikohime/62333544/">http://www.flickr.com/photos/emikohime/62333544/</a><br />
<a href="http://www.flickr.com/photos/velvethellvis/41596903/">http://www.flickr.com/photos/velvethellvis/41596903/</a><br />
<a href="http://www.flickr.com/photos/john/10881278/in/pool-moms/">http://www.flickr.com/photos/john/10881278/in/pool-moms/</a></p>
<p><strong>Be brave to get the subjects</strong><br />
A lot of images are the same. You need to become at one with your subject<br />
<a href="http://www.flickr.com/photos/cdierdorff/53940727/">http://www.flickr.com/photos/cdierdorff/53940727/</a></p>
<p><strong>Strangeness is evocative</strong><br />
Staged photos don&#8217;t strike me head on but do evoke strange mixed feelings.<br />
<a href="http://www.flickr.com/photos/furnari/8481521/">http://www.flickr.com/photos/furnari/8481521/</a></p>
<p><strong>The passing of time</strong><br />
Images capture a fraction of a second but the can capture so much more: exposure, repetition, blurring, sequence.<br />
<a href="http://www.flickr.com/photos/oceanbornstudios/36360575/">http://www.flickr.com/photos/oceanbornstudios/36360575/</a><br />
<a href="http://www.flickr.com/photos/jonlucas/17302350/">http://www.flickr.com/photos/jonlucas/17302350/</a><br />
<a href="http://www.flickr.com/photos/reality/3764433/">http://www.flickr.com/photos/reality/3764433/</a><br />
<a href="http://www.flickr.com/photos/patisfaction/1864688/">http://www.flickr.com/photos/patisfaction/1864688/</a></p>
<p><strong>Window to another world</strong><br />
Viewing a photo is voyeristic. We gain insights into another&#8217;s world &#8211; a stolen moment. These are the trickiest photos to get and I feel quite guilty about taking them. The viewer avoids most of this guilt as they are reduced to consumer rather than exploiter.<br />
<a href="http://www.flickr.com/photos/elix/160596/">http://www.flickr.com/photos/elix/160596/</a></p>
<p><strong>Sex sells</strong><br />
Sensual images will stir emotions. Even the suggestion of sex is enough for arousal.<br />
<a href="http://www.flickr.com/photos/mivella/15150349/">http://www.flickr.com/photos/mivella/15150349/</a><br />
<a href="http://www.flickr.com/photos/43472158@N00/3320688/">http://www.flickr.com/photos/43472158@N00/3320688/</a></p>
<p><strong>Push the limits, strip away the unnecessary</strong><br />
Draw attention the the essential aspects of an image: high contrast. over exposed.<br />
<a href="http://www.flickr.com/photos/hkvam/1177681/">http://www.flickr.com/photos/hkvam/1177681/</a></p>
<p><strong>The eyes have it</strong><br />
Beauty is in the eye of the beheld.<br />
<a href="http://www.flickr.com/photos/twmlabs/41482884/">http://www.flickr.com/photos/twmlabs/41482884/</a><br />
<a href="http://www.flickr.com/photos/noqontrol/11757131/">http://www.flickr.com/photos/noqontrol/11757131/</a></p>
<p><strong>Shooting to the light increases contrast</strong><br />
Usually you want to avoid it because of loss of detail in forground images, however, striking silohettes can be formed.<br />
<a href="http://www.flickr.com/photos/ellishall/52103259/">http://www.flickr.com/photos/ellishall/52103259/</a></p>
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